Go Thou To Rome

at once the Paradise, the grave, the city, and the wilderness

Month: May, 2017

Walking from Rome to Castel Gandolfo

IMG_20170514_123227_747

My friend Julia likes walking. She walked from Canterbury to Rome once (and wrote about it here) – a journey of 3 months and 1,600 km. I was there to meet her when she arrived in Piazza San Pietro, looking surprisingly well for someone who had spent more than 80 days trekking across France and Italy with a heavy backpack.

Last week Julia walked from Rome to Terracina (southern Lazio) on the Via Francigena with a group of students from her university. The journey is 140 km and takes only 6 days. Compared to the Canterbury-Rome journey, it’s a breeze.

I agreed to join Julia on the first stretch of the walk, starting at Circo Massimo and ending at the hill-town of Castel Gandolfo. 24 km is manageable, I thought. I occasionally walk to work (Testaccio to Montesacro – 11km in 2 hours), and doing just over double didn’t seem too ambitious. Although my boyfriend, friends and colleagues thought I was mad for wanting to spend my entire Sunday walking, I was sure I could do it. If Julia could walk for an average of 20km a day every day for three months, I could certainly cope with a single day of walking.

The route was another incentive. Most of the walk is along Appia Antica, perhaps my favourite place in the world. I usually reach a certain point of the road and then turn back, resisting the temptation to keep going on forever. This was a chance to discover what lay beyond…

IMG_20170518_093833_128

We met at Circo Massimo at 9am on Sunday – Julia and her fellow Kent students, miscellaneous friends, and me and my flatmate Tom. We walked past the ruins of Terme di Caracalla and through the ancient gate of Porta San Sebastiano which now marks the beginning of Appia Antica. The first part of the road was surprisingly busy, filled with Ancient Roman soldiers and people handing out flyers. There was a kind of “open day”, with everything from fancy dress to folk music to food stalls. On any other day I would have stayed to check it out, and spent more time exploring the archaeological sites, but we had to stay focused and keep walking. There was a long way to go…

We went past the familiar landmarks – the enormous, castle-like mausoleum of Cecilia Metella (daughter of a Roman general), headless statues, the lonely ruins of Villa dei Quintilli, the farmhouse that sits surreally on top of an overgrown tomb – until we reached a stretch of the road I’d never been to before.

Approaching Ciampino, there’s a strange blend of city and countryside. The road is lined with olive groves and fields, but you can see warehouses and the airport in the distance. When the planes are landing, they drown out the birdsong and the bleats of the sheep.

IMG_20170516_103714_352

(A side note – while most of Appia Antica is kept clean and well-maintained, part of the road near Ciampino is absolutely filthy. Beer bottles, paper plates, plastic bags and condom wrappers everywhere. It’s almost as if someone’s torn open a hundred bin bags and scattered the contents along Rome’s most beautiful road. Very sad…)

Beyond Ciampino, Appia Antica became more rural. In some parts the ancient cobblestones disappeared, and the road became a mere dirt track. Nothing but long grass, dirt, wildflowers, wind, and the midday sun. No other people, apart from the occasional cyclist. The last group we’d seen – a yoga class stretching on the grass in front of an ancient wall – seemed like a distant memory.

IMG_20170515_083918_261

It was around this point that I began to suffer a catastrophic hayfever attack. “Catastrophic” is not an exaggeration. It was an hour of sneezing my head off, sneezing until my throat hurt and my head ached and I could barely see the road in front of me.

Appia Antica comes to an abrupt end in the town/suburb of Santa Maria delle Mole. We stopped at a bar for lunch, though none of us were hungry. The heat meant that an ice-cold Fanta was a much more tempting option. Still sneezing, I considered the possibility of ending the walk and returning back to central Rome. I was such a wreck that I couldn’t imagine getting any enjoyment out of the rest of the walk, and the combination of physical tiredness, mental tiredness and the heat meant that I was reluctant to continue, especially as the rest of the walk would be uphill.

But it was obviously fate. Julia had Claritin, and I would have had to wait an hour and a half for the next train to central Rome. “Besides,” said Julia, “we’re nearly there. Only a few more kilometres.”

Those last few kilometres were the hardest. We were in the rural hinterland of Rome, an area that’s too close to the city to be considered true countryside, but which nonetheless feels like the middle of nowhere. We trekked through pseudo-country lanes, past sort-of-farms, very vicious dogs and countless signs giving directions to Damiano’s birthday party. At one point we reached a dead end that shouldn’t have been a dead end; the farmer had decided to block access to the main road by arbitrarily constructing a high fence. Half the group decided to take the risk and climb the gate, while the more cowardly half (me included), fearing possible dog attacks/angry farmers/fence accidents, turned back and went the long way round.

We climbed. We passed the villa where Damiano’s birthday party was being celebrated. Then we climbed some more. And then, at last, we saw the sign that said “Castel Gandolfo”, and we crossed the road to admire the view of Lake Albano – a very inviting shade of blue.

Then, because Castel Gandolfo was built by sadists, we climbed some more to reach the historic centre, before collapsing in the piazza and drinking some very well-deserved beers.

After nearly seven hours of walking, none of us really had the energy for sightseeing, but Castel Gandolfo is a pretty little place – the Pope’s summer retreat – and easily accessible from Rome. If you don’t fancy walking, you can get the train from Termini (40 minutes).

Those of us who weren’t continuing to Terracina got the train back to Rome. Typically, there was no ticket office, only a broken ticket machine. We explained the situation to the guard on the train, who sold us tickets with a mandatory 0.50 fine per ticket. He acknowledged that it wasn’t our fault, but apparently there was no way of selling us the tickets on board the train without including the fine.

That’s Italy for you. Dysfunctional, beautiful.

IMG_20170517_103540_968

Bring on the next adventure…

Canzone #7: “Tammurriata Nera” by N.C.C.P. (1981)

Music is everywhere in Naples. There are street performers all along Spaccanapoli, and shops blasting music at full volume on a Sunday morning, even in the sleepiest streets. There’s a piano at the central train station, and on my last visit a group of men – strangers, as far as I could tell – were gathered around the piano, singing traditional Neapolitan folk songs.

“Tammurriata Nera” is a Neapolitan song from the 1940s. Written during the war, it’s an ironic account of a local woman’s affair with a (black) American soldier. She then gives birth to a baby boy. The central theme of the song is the colour of the baby’s skin, which can’t be denied:

Ca tu ‘o chiamme Ciccio o ‘Ntuono,
ca tu ‘o chiamme Peppe o Giro,
chillo, o fatto, è niro, niro,

(Call him Ciccio or Antonio,
Call him Peppe o Giro,
Whoever made him is black)

In other words, you can call him whatever Italian name you like, but that doesn’t change the fact that his father was black.

Is it racist? Well, yes. According to James Senese, child of a Neapolitan woman and a black American solider:

Tammurriata nera è una canzone razzista, fai attenzione, non sentire la musica, ascolta le parole: offendono una donna bianca che fa un figlio con un nero. Insomma dice che ‘o guaglione è ‘nu figlio ‘e zoccola. Ti dicessi che è stato facile direi bugia. Dovevi conquistarti una tua dimensione e quando sei bambino non è automatico, te lo devi imparare a forza. Io mi guardavo e lo vedevo che non ero come gli altri. Figurati gli altri: “Sî niro”, sei nero, questo era.”

It’s a song where all the focus is on the child’s blackness, and so “otherness”. Yet it’s not entirely negative – although society’s response is to raise a collective eyebrow, there’s no sense of rejection. Just acknowledgement of an undeniable difference.

The lyrics are all in Neapolitan dialect, so unless you’re from Naples you probably won’t understand the majority of it. But even without any knowledge of Neapolitan (or even Italian), you can appreciate that it’s a powerful performance.

This version of “Tamurriata Nera” is performed by the Nuova Compagnia di Canto Popolare, a group that’s been performing traditional Neapolitan songs since the 1970s. I haven’t really explored their discography yet, but when I first discovered them – listening to a record a palla during a visit to Valeriano’s family home in Cassino – this song also caught my attention. Most of my favourite Italian music tends to be at the poppier end of the spectrum, so it makes a change to listen to something darker, stranger, almost Arabic. Can’t beat a bit of incomprehensible wailing in dialect, where virtually the only word you understand is baccala’ (cod)….